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porcelain

Porcelain is a ceramic material made by heating materials, generally including kaolin, in a kiln to temperatures between 1,200 and 1,400 °C (2,200 and 2,600 °F). The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures.

Porcelain derives its present name from the old Italian porcellana (cowrie shell) because of its resemblance to the translucent surface of the shell. Porcelain can informally be referred to as china or fine china in some English-speaking countries, as China was the birthplace of porcelain making. Properties associated with porcelain include low permeability and elasticity; considerable strength, hardness, toughness, whiteness, translucency and resonance; and a high resistance to chemical attack and thermal shock.

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t.e. 232 t.e. 231, watering can
complete set of 15 colours
edition 01 - 05 / 15
20 x 1,6 x 20 cm

t.e. 232read more

t.e. 231 t.e. 231, watering can
porcelain
15 colours, numbered edition of 15 each.
20 x 1,6 x 20 cm

t.e. 231read more

t.e. 226nose

In search of the right materials, the start of this pitcher has been a long time coming. Ever since the drawing started (2005) it has been a wish of Aldo Bakker to bring it into existence. During this year’s Milano Design Week it is our pleasure to show Nose
Nose is a standing oval with one very large spout and a foot underneath otherwise it will tip over.
Nose comes in two sizes, and three colors: grayish blue, warm sand and broken white speckled. The porcelain is hand polished, giving the surface a dense and a subtle shine.

t.e. 226read more

t.e. 225harvey series

The small carafe forms the start of the harvey series. Approached from the back side it looks like a cup, but when turned a quarter, the appearance changes completely. The frontside exists of a sprout, giving it a perky opposite shape to the cup.
The cup shape forms the base of the complete series. It includes the small and large carafe, a stackable cup in 3 sizes, a plate / tray and a candle stand that accommodates the 3 most common candle sizes.
All the objects are produced by Studio Zand . Made from a deep warm anthracite porcelain. Due to the hand polished finish the surface is dense, and it provides a subtle shine

t.e. 225read more

t.e. 217 porcelain color research -11 sets of plates

These beautiful sets from 2006 show all facets of the color experiment that Hella Jongerius started in 2006.
White and colored brown porcelain clay are baked together. Sometimes the clay is coloured before firing; sometimes a top layer of coloured glaze is added to the ceramic skin. The glazes and hand painting react differently to the substrate. The basis of Hella Jongerius' oeuvre is this type of color experiment with fabric and glaze. This unique plate actually summarizes the entire oeuvre of Hella Jongerius. New collections are developed from these experiments, such as the colored b-set and colored vases series 3.

t.e. 217read more

t.e. 215 made by rain - porcelain

The porcelain collection follows up the textile collection and was developed during a three-month creative residency by Aliki in Arita, Japan. In a collaboration with the potter Fukusengama, Aliki came to a process to ‘draw’ on porcelain with the rain. They investigated how to achieve a contemporary approach to traditional Arita-ware and create a modest patterning on the porcelain by using real rain together with several experimental stages of glazing. They found a productive and stable way to imprint and fix the desired rain patterns. The color used is typical ‘Fukusen’ blue and is used in three tones. The Japanese rain is imprinted on the icon plate from Fukusengama with a diameter of 31 cm and receives, just like the scarfs, the notation of the location, time and weather circumstances of exposure to the weather. including hanging system.

Ø 31 cm x 1,5 cm

t.e. 215read more

t.e. 212Porcelain & Linen 'white'

In return for the precious Japanese ceramics that 16th century Dutch traders returned laden with to The Netherlands, they presented the Shogun of the day with a ceremonial gift of Dutch linen cloth.
From this origin, Christien Meindertsma has come up with ‘Porcelain & Linen,’ a new range of Arita-ware celebrating this historical relationship. Using linen cloth, Meindertsma created models of cups, plates and bowls which were then reconstructed in ceramic form. This collection also makes use of a common glaze type, as well as a newly-developed glaze made from recycling the broken ceramic shards discarded by the 10 potteries contributing to the 2016/ project.

t.e. 212read more

t.e. 211Porcelain & Linen 'Sprinkles'

In return for the precious Japanese ceramics that 16th century Dutch traders returned laden with to The Netherlands, they presented the Shogun of the day with a ceremonial gift of Dutch linen cloth.
From this origin, Christien Meindertsma has come up with ‘Porcelain & Linen,’ a new range of Arita-ware celebrating this historical relationship. Using linen cloth, Meindertsma created models of cups, plates and bowls which were then reconstructed in ceramic form. This collection also makes use of a common glaze type, as well as a newly-developed glaze made from recycling the broken ceramic shards discarded by the 10 potteries contributing to the 2016/ project.

t.e. 211read more

t.e. 205broken hare

Lifelessness is a recurring theme in the work of Maarten Kolk & Guus Kusters. The lethargy in the lifeless object carries a poetic tension that fascinates them.

‘Broken Hare’ is the lifeless remains of a shot hare.

t.e. 205read more

t.e. 204set - A

set of all 53 porcelain stones in a handcrafted wooden box

For the collection 2017, Thomas Eyck invited Studio Brynjar & Veronika, a German Icelandic studio based in Berlin to work on a project for his new collection. Their underlying interest in natural stones and minerals led them to work on a set of handmade porcelain stones. The result is a collection of 53 different stones that form together smaller families of stones in different shapes and sizes. Each stone arrives in a unique glazing that blurs the borders of reality and fiction, the natural and the artificial.

t.e. 204read more

t.e. 203set - B

set of 7 porcelain stones in handcrafted wooden box

For the collection 2017, Thomas Eyck invited Studio Brynjar & Veronika, a German Icelandic studio based in Berlin to work on a project for his new collection. Their underlying interest in natural stones and minerals led them to work on a set of handmade porcelain stones. The result is a collection of 53 different stones that form together smaller families of stones in different shapes and sizes. Each stone arrives in a unique glazing that blurs the borders of reality and fiction, the natural and the artificial.

t.e. 203read more

t.e. 202set of stones

set of 5 porcelain stones in a handcrafted wooden box

For the collection 2017, Thomas Eyck invited Studio Brynjar & Veronika, a German Icelandic studio based in Berlin to work on a project for his new collection. Their underlying interest in natural stones and minerals led them to work on a set of handmade porcelain stones. The result is a collection of 53 different stones that form together smaller families of stones in different shapes and sizes. Each stone arrives in a unique glazing that blurs the borders of reality and fiction, the natural and the artificial.

t.e. 202read more

t.e. 201set of stones

set of 4 porcelain stones in wooden box

For the collection 2017, Thomas Eyck invited Studio Brynjar & Veronika, a German Icelandic studio based in Berlin to work on a project for his new collection. Their underlying interest in natural stones and minerals led them to work on a set of handmade porcelain stones. The result is a collection of 53 different stones that form together smaller families of stones in different shapes and sizes. Each stone arrives in a unique glazing that blurs the borders of reality and fiction, the natural and the artificial.

t.e. 201read more

t.e. 200set of stones

set of 3 porcelain stones in a handrafted wooden box

For the collection 2017, Thomas Eyck invited Studio Brynjar & Veronika, a German Icelandic studio based in Berlin to work on a project for his new collection. Their underlying interest in natural stones and minerals led them to work on a set of handmade porcelain stones. The result is a collection of 53 different stones that form together smaller families of stones in different shapes and sizes. Each stone arrives in a unique glazing that blurs the borders of reality and fiction, the natural and the artificial.

t.e. 200read more

t.e. 174red white vase

Together with the Big White Pot, the Red White Vase has become a modern classic. Both are the end result of Hella Jongerius exploration of medieval pots. Hella Jongerius cast these two vessels from the moulds of restored medieval pots. The rough casting seams, along with the potter's traditional thumbprint, give the impression of antique vessels while the strong, solid forms are a clear indications of modern industry.

t.e. 174read more

t.e. 173big white pot

Together with the Red White Vase, the Big White Pot has become a modern classic. Both are the end result of Hella Jongerius exploration of medieval pots. Hella Jongerius cast these two vessels from the moulds of restored medieval pots. The rough casting seams, along with the potter's traditional thumbprint, give the impression of antique vessels while the strong, solid forms are a clear indications of modern industry.

Ø 28 x 35 cm

t.e. 173read more

t.e. 172b-set plate small, white

In 1999 we put into production Hella Jongerius' seven-part porcelain dinner service. In an industry where, since industrialisation, perfection has become the norm, in this design Hella Jongerius focuses on the concept of 'imperfection'. She studied the possibilities of restoring individuality to the serial production process, an important recurring theme in her work. During a period she spent working at the European Ceramics Work Centre in ‘s Hertogenbosch (1997) she experimented with clay by firing it at a high temperature, which distorted each piece. This is how she developed the method for producing the B-Set, in which each piece acquires its own unique character and regains its individuality.
The B-Set is now considered an icon of Dutch design history and has been included in the collections of many international museums.

t.e. 172read more

t.e. 171b-set plate large, white

In 1999 we put into production Hella Jongerius' seven-part porcelain dinner service. In an industry where, since industrialisation, perfection has become the norm, in this design Hella Jongerius focuses on the concept of 'imperfection'. She studied the possibilities of restoring individuality to the serial production process, an important recurring theme in her work. During a period she spent working at the European Ceramics Work Centre in ‘s Hertogenbosch (1997) she experimented with clay by firing it at a high temperature, which distorted each piece. This is how she developed the method for producing the B-Set, in which each piece acquires its own unique character and regains its individuality.
The B-Set is now considered an icon of Dutch design history and has been included in the collections of many international museums.

t.e. 171read more

t.e. 170b-set carafe, white

In 1999 we put into production Hella Jongerius' seven-part porcelain dinner service. In an industry where, since industrialisation, perfection has become the norm, in this design Hella Jongerius focuses on the concept of 'imperfection'. She studied the possibilities of restoring individuality to the serial production process, an important recurring theme in her work. During a period she spent working at the European Ceramics Work Centre in ‘s Hertogenbosch (1997) she experimented with clay by firing it at a high temperature, which distorted each piece. This is how she developed the method for producing the B-Set, in which each piece acquires its own unique character and regains its individuality.
The B-Set is now considered an icon of Dutch design history and has been included in the collections of many international museums.

t.e. 170read more

t.e. 169b-set bowl large, white

In 1999 we put into production Hella Jongerius' seven-part porcelain dinner service. In an industry where, since industrialisation, perfection has become the norm, in this design Hella Jongerius focuses on the concept of 'imperfection'. She studied the possibilities of restoring individuality to the serial production process, an important recurring theme in her work. During a period she spent working at the European Ceramics Work Centre in ‘s Hertogenbosch (1997) she experimented with clay by firing it at a high temperature, which distorted each piece. This is how she developed the method for producing the B-Set, in which each piece acquires its own unique character and regains its individuality.
The B-Set is now considered an icon of Dutch design history and has been included in the collections of many international museums.

t.e. 169read more

t.e. 168b-set bowl small, white

In 1999 we put into production Hella Jongerius' seven-part porcelain dinner service. In an industry where, since industrialisation, perfection has become the norm, in this design Hella Jongerius focuses on the concept of 'imperfection'. She studied the possibilities of restoring individuality to the serial production process, an important recurring theme in her work. During a period she spent working at the European Ceramics Work Centre in ‘s Hertogenbosch (1997) she experimented with clay by firing it at a high temperature, which distorted each piece. This is how she developed the method for producing the B-Set, in which each piece acquires its own unique character and regains its individuality.
The B-Set is now considered an icon of Dutch design history and has been included in the collections of many international museums.

t.e. 168read more

t.e. 167b-set beaker large, white

In 1999 we put into production Hella Jongerius' seven-part porcelain dinner service. In an industry where, since industrialisation, perfection has become the norm, in this design Hella Jongerius focuses on the concept of 'imperfection'. She studied the possibilities of restoring individuality to the serial production process, an important recurring theme in her work. During a period she spent working at the European Ceramics Work Centre in ‘s Hertogenbosch (1997) she experimented with clay by firing it at a high temperature, which distorted each piece. This is how she developed the method for producing the B-Set, in which each piece acquires its own unique character and regains its individuality.
The B-Set is now considered an icon of Dutch design history and has been included in the collections of many international museums.

t.e. 167read more

t.e. 166b-set beaker small, white

In 1999 we put into production Hella Jongerius' seven-part porcelain dinner service. In an industry where, since industrialisation, perfection has become the norm, in this design Hella Jongerius focuses on the concept of 'imperfection'. She studied the possibilities of restoring individuality to the serial production process, an important recurring theme in her work. During a period she spent working at the European Ceramics Work Centre in ‘s Hertogenbosch (1997) she experimented with clay by firing it at a high temperature, which distorted each piece. This is how she developed the method for producing the B-Set, in which each piece acquires its own unique character and regains its individuality.
The B-Set is now considered an icon of Dutch design history and has been included in the collections of many international museums.

t.e. 166read more

t.e. 155withering tableware

vase

sequence of 6 different decorations:

t.e. 155read more

t.e. 154withering tableware

platter

sequence of 6 different decorations:

t.e. 154read more

t.e. 153withering tableware

carafe

sequence of 9 different decorations:

t.e. 153read more

t.e. 152withering tableware

bowl, high

sequence of 9 different decorations:

t.e. 152read more

t.e. 150withering tableware

plate large

sequence of 6 different decorations:

t.e. 150read more

t.e. 147all small circles are sold out.

please look at t.e. 144

t.e. 147read more

t.e. 146all small circles are sold out.

t.e. 146read more

t.e. 145all small circles are sold out.

t.e. 145read more

t.e. 144thomas eyck is pleased to present an exclusive series of vases designed by Hella Jongerius. She has become known for the way in which she fuses industry and craft, high and low tech, the traditional and the contemporary. For some time, Jongerius has been occupied with an intensive research project on applying colours to ceramic materials. Jongerius has produced the Hella Jongerius: Misfit Collector’s Edition: 300 unique porcelain vases, each made with great artisanal skill and technological sophistication in collaboration with the venerable Dutch ceramics house Royal Tichelaar Makkum. Each vase is an object of exceptional concept and beauty.

This set is the culmination of Jongerius’ experimental studies with lacquered pigmentation, in which the porcelain vase has served as a ‘canvas’ for ‘Toyota red’ spraypaint (Red White Vase, 1997), forty industrial colours from the Central European standard RAL colour range (Coloured Vases, Series 1, 2003), and selections from the Scandinavian Colour Institute’s Natural Colour System (Coloured Vases, Series 2, 2007). In this, the third version of 300 Coloured Vases, each vase was fired three times under a unique mix of 100 natural mineral glazes and 100 synthetic materials, yielding remarkably deep textures and vibrantly merged colour combinations that are reminiscent of the colour intensities of old paintings.

The Hella Jongerius Coloured Vases, Series 3 is a rare opportunity to own a genuine limited edition of a Hella Jongerius’ experimental design. Each comprises a special edition of a book, designed by Irma Boom. It is beautifully bound, individually signed and numbered and presented in a custom-made box, together with an original work of art also signed and numbered by the artist.

t.e. 144read more

t.e. 134hain

small installation C
consoles & vase
50 x 40 x 19 cm

t.e. 134read more

t.e. 133hain

small installation B
consoles
46x 40 x 19 cm

t.e. 133read more

t.e. 132hain

small installation A
consoles
53 x 40 x 16 cm

t.e. 132read more

t.e. 131hain

installation of 1 porcelain tree R with fungi
consoles
50 x 200 x 19 cm

t.e. 131read more

t.e. 130hain

installation of 1 porcelain tree M with fungi
consoles
50 x 200 x 19 cm

t.e. 130read more

t.e. 129hain

installation of 1 porcelain tree L with fungi
consoles
50 x 200 x 19 cm

t.e. 129read more

t.e. 109schwarm

Dicranorrhina wallichi

vase

t.e. 109read more

t.e. 108schwarm

carabus auratus

vase,

t.e. 108read more

t.e. 107schwarm

Plusiotis resplendens

vase

t.e. 107read more

t.e. 106schwarm

oryctes nasicornis

vase

t.e. 106read more

t.e. 105schwarm

stenus montivagus

vase

t.e. 105read more

t.e. 104schwarm

ateuchus pius

vase

t.e. 104read more

t.e. 103schwarm

lema cyanella

vase

t.e. 103read more

t.e. 102schwarm

geotruypes stercorarius

vase

t.e. 102read more

t.e. 101schwarm

apion aeneum

vase

t.e. 101read more

t.e. 100schwarm

coccinela

vase

t.e. 100read more

t.e. 099schwarm

The first and original set of 63 beetles , made in a numbered edition of 10 sets.

Several sets where sold to musea around the world and private art collectors.

t.e. 099read more

t.e. 066 water carafe

water carafe lies down instead of standing upright. The user has to pay delicate attention to the sound and the weight of the object to know when he should stop filling it. Because of the wide spout the flow of water from the carafe resembles a waterfall.
25 x 10 x h 10 cm

t.e. 066read more

t.e. 065 vinegar flask

vinegar flask has a characteristic spout. Like the mouth of an animal it protrudes from the opening of the flask. An appropiate dose of vinegar is poured into this small reservoir. Then, by tilting the flask to the side, it can be distributed over the dish.
11 x 7 x h 12 cm

t.e. 065read more

t.e. 064 salt cellar

salt cellar combines a container and a plateau. The container holds the salt and serves as a handle. Salt is poured onto the plateau, so that it can be picked up from the black surface. Filling the container works the other way around: salt is put on the plateau and then poured into the handle.
7 x 12 x h 3 cm

t.e. 064read more

t.e. 063 oil platter

oil platter has an elevated surface on one side. This allows users to press bread and oil against this surface. Any excess oil will drip back into the saucer. A slight elevation in the heart of the saucer distributes the oil to the outer rim.
15 x 13 x h 11 cm

t.e. 063read more

t.e. 062 oil can

The oil / milk can is a singular shape, without a handle or lid. The same cavity is used for pouring and filling. The opening is placed under a 90 angle, to prevent dust settling onto the content. The object creates a visul dialogue between content and interior space. 10 x 4,5 x h 10 cm

t.e. 062read more

s.b. 71bloom vase, white

Ø 13 x 11 cm

dishwasher proof

s.b. 71read more

s.b. 70vase high, white glazed

Ø 15 x 29,5 cm

dishwasher proof

s.b. 70read more

s.b. 69vase high, white & light blue

Ø 15 x 29,5 cm

dishwasher proof

s.b. 69read more

s.b. 68vase high, white & pink

Ø 15 x 29,5 cm

dishwasher proof

s.b. 68read more

s.b. 67vase high, white & red dots

Ø 15 x 29,5 cm

dishwasher proof

s.b. 67read more

s.b. 66vase low, white glazed

Ø 11,5 x 20 cm

dishwasher proof

s.b. 66read more

s.b. 65vase low, light blue

Ø 11,5 x 20 cm

dishwasher proof

s.b. 65read more

s.b. 64vase low, pink

Ø 11,5 x 20 cm

dishwasher proof

s.b. 64read more

s.b. 63vase low, grey & silver stripes

Ø 11,5 x 20 cm

dishwasher proof

s.b. 63read more

s.b. 55tea pot, white glazed & grey

Ø 144 x h 104 mm

microwave and dishwasher proof

s.b. 55read more

s.b. 54tea pot, white & light blue

Ø 144 x h 104 mm

microwave and dishwasher proof

s.b. 54read more

s.b. 53container, pink & grid

Ø 9 x 9 cm

microwave and dishwasher proof

s.b. 53read more

s.b. 52container, red & grid

Ø 9 x 9 cm

microwave and dishwasher proof

s.b. 52read more

s.b. 51container, light blue & grid

Ø 9 x 9 cm

microwave and dishwasher proof

s.b. 51read more

s.b. 50cup & saucer, light blue & white

Ø 17 x 5,5 cm

microwave and dishwasher proof

s.b. 50read more

s.b. 49cup & saucer, yellow & pink & light blue & white

Ø 17 x 5,5 cm

microwave and dishwasher proof

s.b. 49read more

s.b. 48cup & saucer, brown & white & light blue

Ø 17 x 5,5 cm

microwave and dishwasher proof

s.b. 48read more

s.b. 47mug, white glazed

Ø 7 x 8,5 cm

microwave and dishwasher proof

s.b. 47read more

s.b. 46mug, brown & grey

Ø 7 x 8,5 cm

microwave and dishwasher proof

s.b. 46read more

s.b. 45mug, yellow

Ø 7 x 8,5 cm

microwave and dishwasher proof

s.b. 45read more

s.b. 44mug, light blue & white

Ø 7 x 8,5 cm

microwave and dishwasher proof

s.b. 44read more

s.b. 43mug, pink & white

Ø 7 x 8,5 cm

microwave and dishwasher proof

s.b. 43read more

s.b. 42tea cup, white glazed

Ø 9,5 x 5,5 cm

microwave and dishwasher proof

s.b. 42read more

s.b. 41tea cup, light blue & white

Ø 9,5 x 5,5 cm

microwave and dishwasher proof

s.b. 41read more

s.b. 40tea cup, orange & grey

Ø 9,5 x 5,5 cm

microwave and dishwasher proof

s.b. 40read more

s.b. 39tea cup, light blue & pink & purple

Ø 9,5 x 5,5 cm

microwave and dishwasher proof

s.b. 39read more

s.b. 38espresso, white glazed

Ø 5,5 x 6,5 cm

microwave and dishwasher proof

s.b. 38read more

s.b. 37espresso, pink dots

Ø 5,5 x 6,5 cm

microwave and dishwasher proof

s.b. 37read more

s.b. 36espresso, green

Ø 5,5 x 6,5 cm

microwave and dishwasher proof

s.b. 36read more

s.b. 35espresso, yellow

Ø 5,5 x 6,5 cm

microwave and dishwasher proof

s.b. 35read more

s.b. 34espresso, pink

Ø 5,5 x 6,5 cm

microwave and dishwasher proof

s.b. 34read more

s.b. 33set milk & sugar, light blue & pink & yellow

Ø 22 x 12 x 6,5 cm

microwave and dishwasher proof

s.b. 33read more

s.b. 32set milk & sugar, light blue & white

Ø 22 x 12 x 6,5 cm

microwave and dishwasher proof

s.b. 32read more

s.b. 31set milk & sugar, white & pink & yellow

Ø 22 x 12 x 6,5 cm

microwave and dishwasher proof

s.b. 31read more

s.b. 30bowl, white glazed

Ø 18 x 6 cm

microwave and dishwasher proof

s.b. 30read more

s.b. 29bowl, white & red

Ø 18 x 6 cm

microwave and dishwasher proof

s.b. 29read more

s.b. 28bowl, white glazed

Ø 16 x 5,5 cm

microwave and dishwasher proof

s.b. 28read more

s.b. 27bowl, white & orange

Ø 16 x 5,5 cm

microwave and dishwasher proof

s.b. 27read more

s.b. 26bowl, white glazed

Ø 14 x 5 cm

microwave and dishwasher proof

s.b. 26read more

s.b. 25bowl, light green

Ø 14 x 5 cm

microwave and dishwasher proof

s.b. 25read more

s.b. 24bowl, white glazed

Ø 12 x 4 cm

microwave and dishwasher proof

s.b. 24read more

s.b. 23bowl, white & brown stripes

Ø 12 x 4 cm

microwave and dishwasher proof

s.b. 23read more

s.b. 18deep plate, white glazed

Ø 27,5 x 3 cm

microwave and dishwasher proof

s.b. 18read more

s.b. 17deep plate, light blue & white

Ø 27,5 x 3,5 cm

microwave and dishwasher proof

s.b. 17read more

s.b. 16deep plate, white glazed

Ø 22,5 x 3 cm

microwave and dishwasher proof

s.b. 16read more

s.b. 15deep plate, white & green

Ø 22,5 x 3 cm

microwave and dishwasher proof

s.b. 15read more

s.b. 14deep plate, white glazed

Ø 18 x 2,5 cm

microwave and dishwasher proof

s.b. 14read more

s.b. 13deep plate, pink

Ø 18 x 2,5 cm

microwave and dishwasher proof

s.b. 13read more

s.b. 12deep plate, white glazed

Ø 12,5 x 2 cm

microwave and dishwasher proof

s.b. 12read more

s.b. 11deep plate, brown & red

Ø 12,5 x 2 cm

microwave and dishwasher proof

s.b. 11read more

s.b. 10deep plate, white glazed

Ø 8 x 1,5 cm

microwave and dishwasher proof

s.b. 10read more

s.b. 09deep plate, gold

Ø 8 x 1,5 cm

microwave and dishwasher proof

s.b. 09read more

s.b. 08plate, white glazed

Ø 27,5 x 1 cm

microwave and dishwasher proof

s.b. 08read more

s.b. 07plate, light blue & orange & green stripes

Ø 27,5 x 1 cm

microwave and dishwasher proof

s.b. 07read more

s.b. 06plate, white glazed

Ø 22,5 x 1 cm

microwave and dishwasher proof

s.b. 06read more

s.b. 05plate, white & yellow

Ø 22,5 x 1 cm

microwave and dishwasher proof

s.b. 05read more

s.b. 04plate, white glazed

Ø 17,5 x 1 cm

microwave and dishwasher proof

s.b. 04read more

s.b. 03plate, pink & grey

Ø 17,5 x 1 cm

microwave and dishwasher proof

s.b. 03read more

s.b. 02plate, white glazed

Ø 12 x 1 cm

microwave and dishwasher proof

s.b. 02read more

s.b. 01plate, white & light blue

Ø 12 x 1 cm

microwave and dishwasher proof

s.b. 01read more